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David Guetta - Without You (Behind The Scenes) ft. Usher
Music video by David Guetta performing Without You - Behind The Scenes
David Guetta - Without You ft. Usher
Buy the album: http://bit.ly/nWSbPx
Music video by David Guetta performing Without You. (C) 2011 What A Music Ltd / EMI Music France, Licence exclusive EMI Music France
A Burn Production: David Guetta - Nothing But The Beat - The Movie OFFICIAL TRAILER
RSVP NOW to the online movie premiere: http://on.fb.me/GuettaScreening
"I cannot look at myself in the mirror if I do not give 100 percent. My ambition is new each day, I have so much to learn and so much to achieve."
- David Guetta
Nothing But the Beat is the story of David Guetta and house music, as told by himself, his fans and the legions of legendary artists that he's worked with. The documentary focuses on Guetta and his unstoppable fire to create incredible dance music, fueled by an overwhelming passion and ambition to be the best. This is the official trailer.
For full details see our Facebook event: http://on.fb.me/GuettaScreening
+ Like Burn on http://Facebook.com/burn for more Guetta exclusives
http://burn.com // http://twitter.com/burn // http://burn-studios.com
A burn Production
In partnership with What A Music
A film by Partizan Films & Deviant Ventures
"Nothing But the Beat"
Directed by // Huse Monfaradi
Produced by // Umut Ozaydinli
Producers // Jacqui Edenbrow, Sasha Nixon
Executive Producers // Georges Bermann // Madeleine Sanderson //
David Stewart // Emmanuel Seuge // Dan White
Associate Producers: Jean-Philippe Noterman // Prinz Mathew Pinakatt // Pardeep Sall
Cinematography // Benedict Spence
Sound // Matthew Senuik
Edited by // Jamie Mac
"I cannot look at myself in the mirror if I do not give 100 percent. My ambition is new each day, I have so much to learn and so much to achieve."
- David Guetta
Nothing But the Beat is the story of David Guetta and house music, as told by himself, his fans and the legions of legendary artists that he's worked with. The documentary focuses on Guetta and his unstoppable fire to create incredible dance music, fueled by an overwhelming passion and ambition to be the best. This is the official trailer.
For full details see our Facebook event: http://on.fb.me/GuettaScreening
+ Like Burn on http://Facebook.com/burn for more Guetta exclusives
http://burn.com // http://twitter.com/burn // http://burn-studios.com
A burn Production
In partnership with What A Music
A film by Partizan Films & Deviant Ventures
"Nothing But the Beat"
Directed by // Huse Monfaradi
Produced by // Umut Ozaydinli
Producers // Jacqui Edenbrow, Sasha Nixon
Executive Producers // Georges Bermann // Madeleine Sanderson //
David Stewart // Emmanuel Seuge // Dan White
Associate Producers: Jean-Philippe Noterman // Prinz Mathew Pinakatt // Pardeep Sall
Cinematography // Benedict Spence
Sound // Matthew Senuik
Edited by // Jamie Mac
North Coast Music Festival 2011, Friday: David Guetta
Frenchman
David Guetta closed out day one of the North Coast Music Festival with
a set on the largest stage. The DJ, a superstar in Europe, was clearly
pleased to be playing in front of sizable crowd here in the States,
where electronic music is hardly universally accepted. “This is my
biggest show in your city,” Guetta said at one point. “Are you ready for
my ‘F$%# Me, I’m Famous’ beats?” he asked referring to the name of his
world-renowned Ibiza-based parties.
The crowd was indeed ready: ready to dance, hoola hoop, glowstick-twirl and fist pump as Guetta dished out wave after wave of seismic beats that threatened to bury those in attendance. Like Wolfgang Carter, who played before him, Guetta has risen to the upper echelon of sought-after producers for pop stars and rappers. Appropriately, the DJ’s songs conjure a crowd-pleasing mix of house and electroclash, with the occasional sample by the likes of Kelly Roland and Ludacris. The beats, removed and re-dropped multiple times per song, got the crowd moving, even if they did operate with the subtlety of a Mac truck.
“I came…to make…you sweat,” Guetta declared early in his set. And by that yard stick he was successful, though the day’s steamy temperatures may have had something to do with it. While Tron-like blue lines pulsed on the projection screen behind him, Guetta jumped around and extolled the crowd, while layering trancey beeps on top of his relentless four-on-the-floor beats. No one song or rhythm felt particularly out of place, but cumulatively they felt somewhat robotic and impersonal. Like cheap bubblegum, his compositions all started promisingly, with an initial blast of techno bliss, only to quickly lose their flavor.
Aficionados of house or other forms of electronic music may not always care for Guetta’s meat-and-potatoes style, but you can hardly argue with the results, as proven by the large and actively grooving crowd. The thunderstorms in the day's forecast held off, and Guetta’s throbbing ravers were a fitting end to the first night of this genre-spanning festival, now in its second year. Guetta said goodnight and thanked the crowd, only to reappear moments later. “We have two minutes to play!” he informed the crowd, happing for an excuse to prolong the party.
The crowd was indeed ready: ready to dance, hoola hoop, glowstick-twirl and fist pump as Guetta dished out wave after wave of seismic beats that threatened to bury those in attendance. Like Wolfgang Carter, who played before him, Guetta has risen to the upper echelon of sought-after producers for pop stars and rappers. Appropriately, the DJ’s songs conjure a crowd-pleasing mix of house and electroclash, with the occasional sample by the likes of Kelly Roland and Ludacris. The beats, removed and re-dropped multiple times per song, got the crowd moving, even if they did operate with the subtlety of a Mac truck.
“I came…to make…you sweat,” Guetta declared early in his set. And by that yard stick he was successful, though the day’s steamy temperatures may have had something to do with it. While Tron-like blue lines pulsed on the projection screen behind him, Guetta jumped around and extolled the crowd, while layering trancey beeps on top of his relentless four-on-the-floor beats. No one song or rhythm felt particularly out of place, but cumulatively they felt somewhat robotic and impersonal. Like cheap bubblegum, his compositions all started promisingly, with an initial blast of techno bliss, only to quickly lose their flavor.
Aficionados of house or other forms of electronic music may not always care for Guetta’s meat-and-potatoes style, but you can hardly argue with the results, as proven by the large and actively grooving crowd. The thunderstorms in the day's forecast held off, and Guetta’s throbbing ravers were a fitting end to the first night of this genre-spanning festival, now in its second year. Guetta said goodnight and thanked the crowd, only to reappear moments later. “We have two minutes to play!” he informed the crowd, happing for an excuse to prolong the party.
Nothin But the Beat
David Guetta's Nothin But The Beat Official Movie is coming soon................
Review: Guetta mails in "Nothing But The Beat"
David Guetta, "Nothing But The Beat" (Capitol)
David Guetta's new album "Nothing But The Beat" presents the Grammy-winning DJ and producer with a formidable task. Take good music from good artists and it infuse it with a dance club floor-filling frenzy. If there's anyone who can, surely it's the urban dance-track maestro who collaborates with A-list artists. Right?
Well, half-right. On "Nothing But The Beat," Guetta accomplishes the main mission, but it's nothing to run out and buy a new pair of dancing shoes for. This is a fairly routine treatment at best, and Guetta doesn't inject enough of his own style to take the music to a level that the list of featured vocalists couldn't do on their own.
Guetta gets things started in fine fashion, adding some of his signature energy to "Where Them Girls At," with sharp vocals from Flo Rida and white-hot Nicki Minaj. The good stuff continues through "Little Bad Girl," with solid feature work from Ludacris and Taio Cruz.
But then things begin to get pretty pedestrian. "Sweat" with Snoop Dogg is a snoozer and "Without You" featuring Usher never delivers much more than soaring synth track. The latter song is about as edgy as a Kia Sorento commercial for soccer moms.
Guetta is on auto-pilot these days. He's on top of his game, but his game currently is to deliver safe club music to the masses. There's nothing daring in his approach to production and remixing and for this result, he's failed a bit.
CHECK THIS TRACK OUT: Thank you Jennifer Hudson. Even David Guetta's soft-sell approach couldn't ruin "Night Of Your Life." Hudson's voice is perfect here, with all the right emotion in all the right places. Guetta keeps it simple with a buzzing backbeat and Hudson keeps it lush with vocals that will always have a home on the hottest dance floors. Minaj and Hudson saved this album from being a total loss.
David Guetta's new album "Nothing But The Beat" presents the Grammy-winning DJ and producer with a formidable task. Take good music from good artists and it infuse it with a dance club floor-filling frenzy. If there's anyone who can, surely it's the urban dance-track maestro who collaborates with A-list artists. Right?
Well, half-right. On "Nothing But The Beat," Guetta accomplishes the main mission, but it's nothing to run out and buy a new pair of dancing shoes for. This is a fairly routine treatment at best, and Guetta doesn't inject enough of his own style to take the music to a level that the list of featured vocalists couldn't do on their own.
Guetta gets things started in fine fashion, adding some of his signature energy to "Where Them Girls At," with sharp vocals from Flo Rida and white-hot Nicki Minaj. The good stuff continues through "Little Bad Girl," with solid feature work from Ludacris and Taio Cruz.
But then things begin to get pretty pedestrian. "Sweat" with Snoop Dogg is a snoozer and "Without You" featuring Usher never delivers much more than soaring synth track. The latter song is about as edgy as a Kia Sorento commercial for soccer moms.
Guetta is on auto-pilot these days. He's on top of his game, but his game currently is to deliver safe club music to the masses. There's nothing daring in his approach to production and remixing and for this result, he's failed a bit.
CHECK THIS TRACK OUT: Thank you Jennifer Hudson. Even David Guetta's soft-sell approach couldn't ruin "Night Of Your Life." Hudson's voice is perfect here, with all the right emotion in all the right places. Guetta keeps it simple with a buzzing backbeat and Hudson keeps it lush with vocals that will always have a home on the hottest dance floors. Minaj and Hudson saved this album from being a total loss.
LMFAO Call David Guetta A 'Party Starter'
LOS ANGELES — David Guetta's just-dropped new album, Nothing but the Beat,
features a handful of A-list contributors, including Nicki Minaj, Snoop
Dogg, will.i.am, Chris Brown, Lil Wayne, Akon and Usher. It's Guetta's
latest entry into the world of mainstream music, and it seems that
everyone in pop is scrambling to work with him.
When MTV News caught up with dance duo LMFAO, who worked with the French house-music DJ on the 2010 track "Gettin' Over You" (also featuring Fergie and Chris Willis), they revealed the real reason why everyone in the business wants to hop in the studio with Guetta.
"Well, he is a party starter; great DJ, great personality," RedFoo told MTV News last week before the 2011 Video Music Awards. "He shares his software with you. [He's like] 'Here's the whole bundle, enjoy.' I don't think we're supposed to talk about that ... but he would."
RedFoo's party partner, SkyBlu, said Guetta is such a pleasure to work with because he's an easygoing guy. "[He's the] happiest person you've ever met. He'll put a smile on your face no matter how bad your day's going. [If] you're gonna hang out with David, you're gonna have a smile on your face."
While they didn't share whether they had any plans to work with Guetta again, the guys did reveal that they shot the video for their next single, "Sexy and I Know It," in L.A. earlier this week
When MTV News caught up with dance duo LMFAO, who worked with the French house-music DJ on the 2010 track "Gettin' Over You" (also featuring Fergie and Chris Willis), they revealed the real reason why everyone in the business wants to hop in the studio with Guetta.
"Well, he is a party starter; great DJ, great personality," RedFoo told MTV News last week before the 2011 Video Music Awards. "He shares his software with you. [He's like] 'Here's the whole bundle, enjoy.' I don't think we're supposed to talk about that ... but he would."
RedFoo's party partner, SkyBlu, said Guetta is such a pleasure to work with because he's an easygoing guy. "[He's the] happiest person you've ever met. He'll put a smile on your face no matter how bad your day's going. [If] you're gonna hang out with David, you're gonna have a smile on your face."
While they didn't share whether they had any plans to work with Guetta again, the guys did reveal that they shot the video for their next single, "Sexy and I Know It," in L.A. earlier this week
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